Showing posts with label soleri. Show all posts
Showing posts with label soleri. Show all posts

Tuesday, April 1, 2014

Stephen King and Under The Dome


A Concept from More than Fifty Years Ago
I saw this article, Why Urban Domes Are Bad For Society, posted on the emag ARCHITECT about large or even mega-sized urban domes and pondered the strange conclusions that the author, Blaine Brownell, came to about cultural and the environment. His basic objection being that those who can will be inside and those that can't, won't be. His other arguments drag a lot of social debris into the conversation as well. My first thought was April Fools – I was wrong.

Mr. Brownell uses grand words such as socioecolological acquiescence, dystopian, environmental justice, privileged insiders, etc. all to just muck up the conversation. The most extreme, 'selective sanctuary,' being the most foolish.

Are these structures any less democratic than say the Freedom Tower in New York (try getting inside that building without a pass), or the massive underground subway systems of any major city? Huge new constructions with millions of square feet are under development in San Francisco, New York, and elsewhere – is there a social injustice with these mega constructions?

Buckminster Fuller's Concept
I think a lot of this who-ha has to do with Mr. King's book and TV series, Under the Dome. That book and show was like the Hindenburg tragedy, both set back technological advances in architecture and air travel.

Step back from the overriding social concerns of Mr. Brownell and look at what these types of buildings might actually accomplish, and there are many.

The Eden Project - England
All construction inside the "Dome" would be less costly and with significant reductions in materials, energy, and maintenance. Even older buildings would benefit. I would even suggest a sizable reduction in pollutants and the affects that cities cause by being regional heat islands. These savings would reduce housing costs for all residents. And the problem of pollution is being reduced – China and India will fix their problems just like Pittsburgh, London, and even Los Angeles have.

There would be no fossil-fuel vehicles inside these domes, electrics and other non-polluting systems like bikes and walkways would dominate. And delivery and service systems would be underground.

There are architects even now, like the firms Orproject and Grimshaw, thoughtfully thinking outside the bubble (pun intended) and are looking at enclosed worlds with a broad range of different structures, systems, designs, and materials.

Look at the major structures built during the last twenty years: stadiums, high rise apartments and offices, huge malls, even ocean going cruise ships, all are fundamentally sealed systems – most are not technically different than what Buckminster Fuller and Paolo Soleri proposed during the last century – they are only a matter of scale.

My Idea for a Dome in the Desert
I even proposed a dome concept to a client building a retirement community in Arizona, the structure would have reduced their costs across the board – but it was too outlandish, at the time, to even consider it. Now, maybe not.

If the last century has shown us anything in architecture is that scale is relative, elevators made high-rise buildings doable, materials and engineering changed not only how buildings and strucures looked but how they were built. We put mass transit under San Francisco Bay, submerged freeways under cities, and for better or worse made trains that nearly fly. To discount fascinating architectural concepts based on an opinion about pollution and social justice is, well, silly.

More later . . . . . . . .

Thursday, April 11, 2013

Paolo Soleri (1919-2013) - An Innocent Architect



Back in the day, when I was at Michigan State studying landscape architecture and urban planning, the great architects were Philip Johnson, Mies van der Rohe, and Eero Saarinen. Bold, dramatic, controversial, and if you included Frank Lloyd Wright and Le Corbusier you could enjoy a pleasant evening of arguing and threats of bodily harm. Each had their acolytes and each carried an ego as large or larger than their buildings. Yet none came close to the imagination and utter boundless belief in architecture as habitats as Paolo Soleri, who passed away this week, he was 93.


From the Arcosanti Website:
Paolo Soleri (1919-2013), the founder of Arcosanti
Through his work as an architect, urban designer, artist, craftsman, and philosopher, Paolo Soleri has been exploring the countless possibilities of human aspiration. One outstanding endeavor is Arcosanti, an urban laboratory, constructed in the Arizona high desert. It attempts to test and demonstrate an alternative human habitat which is greatly needed in this increasingly perplexing world. This project also exemplifies his steadfast devotion to creating an experiential space to "prototype" an environment in harmony with man.
In his philosophy “arcology” (architecture + ecology), Soleri formulated a path that may aid us on our evolutionary journey toward a state of aesthetic, equity, and compassion. For more than a half century, his work, marked by a broad-ranging and coherent intellect (so scarce in the age of specialization), has influenced many in search of a new paradigm for our built environment.
If the act of living includes the pioneering of reality through imagination and sweat, Soleri has given us more than enough food for thought in the examples he has left on paper and in the desert wind.

For a young architecture student in 1971, Soleri’s imagination was a source of boundless inspiration. I remember walking through an exhibition of his work at the Chicago Museum of Modern Art during this period of time (a spectacular traveling exhibition of his works), enthralled and frightened. His building concepts included whole cities built into a dam, massive structures where jet planes landed on the 80th floor, models and sketches that used model airplanes as set pieces to understand their scale. To this day I wonder where those models are stored – another generation of architects could use a kick in the pants by just studying these.



In the summer of 1970 I took a pilgrimage from Chicago to California and back. A coming of age thing – and it worked. A year later I was in California, newly married, and a practicing professional. How cool was that! On the trip I stopped to see the Arch in St. Louis (Saarinen), the Grand Canyon (God), Taliesin West (Wright), Los Angeles (smog was in high season), the Marin Civic Center (another Wright), and Soleri’s small encampment in Scottsdale. More than enough buildings and structures to set my malleable mind on fire.

Paolo Soleri was an Italian from Turin, he studied with Frank Lloyd Wright in the late 1940s (was fired), and in 1956 he settled in Scottsdale, Arizona. Wright and the dramatic structures of the desert were to have a profound impact on this man. His career and his artistic works would take books (and they have) to fill. Take a minute and look at his Wiki site (here).

A new documentary called The Vision of Paolo Soleri in the Desert has just been released (I have not seen it), but here is the trailer.


Dreams are the molds that form our futures.